the muse JFMe

Tickets for JANUARY Tuesdays Post

Tickets for FEBRUARY Tuesdays Post

Tickets for MARCH Tuesdays Post

This is an intimate gallery venue so please book tickets in advance if you want to guarantee entry.



the muse novemberC

at: The Muse Gallery, 269 Portobello Rd, London W11 1LR
date: 26th November 2016
time: 7.30pm

Performing at the second of these series of concerts at The Muse is:


YOAF – an improvising experimental textural noise trio performing using home-made instruments, objects, toys and electronics. Described as “… less musicians than sound
mediums, tuning into and channelling uncanny forces …” ( we play
with sound as texture, matter and shape rather than melody, rhythm and harmony. Our
members are Tom Fox (, Jon Saunders and Tim Yates (


Jono is two arms of the 6 armed Metamono instrument which is taking the UK and Europe by storm. Yes they are mono and they use a wide variety of vintage and modern kit to produce their sound live on stage.. no computers! enormous laboratory construction of live synths in front of the audience.. they made the sounds all live and they were so much more exciting for it.
check this clip… it’s a little introduction to the Metamono beast by Jono Podmore himself just before they play in a packed venue in trendy deepest South East London..

Kumo is Jono’s solo project. Jono has worked with Irmin Schmidt (of Can) on his opera Gormenghast. He began to play the theremin in late 1990′s and developing new techniques for live performance of electronic music.

At Tuesdays Post Jono will be performing an improvisation duet with Georgina Brett using a small portion of his electronic capability.. Notably Theremin, delay, Ring Modulator, and “tricks”.. little secrets for the obsessive kit-horders amongst us.. what will he bring? ;)


Tom Fox (see YOAF description)
Georgina Brett’s music is created using her voice and effects pedals, creating instant choirs of sound, sometimes improvisatory, sometimes precomposed., all with a view to freeing the palette of vocal sound with one eye on beauty and innovation and the other on the boundary edge.. recently produced live multistream surround sound events in London, with interactive visuals and featured on ‘The Killing$ of Tony Blair’ (2016) movie.

Live audio interactive visuals by Hanzo.

If you purchase in advance you save a little BUY TICKETS... as on the door the fee will be £5. .. but if you really are strapped for cash and want to come and wouldn’t come otherwise, please PM us, we can sort you out! (Georgina)


at: The Muse Gallery, 269 Portobello Rd, London W11 1LR
date: 29th October 2016
time: 7.30pm
TheLucidBrain (Emmanuel Reveneau)
PREHISTO’ZIK nellyzmuzik (Nelly Meunier)
Georgina Brett
The Muse Gallery gigB
Lucid Brain Integrative Project (Emmanuel Reveneau)
PREHISTO’ZIK (Nelly Meunier)
Georgina Brett

.. at the acclaimed Muse Gallery on Portobello Rd – recently been shortlisted as one of 6 best venues (culture) in Notting Hill, in LONDON LOVE AWARDS 2016

The Lucid Brain Integrative Project

Emmanuel Reveneau is a French artist involved in music, video and theatre, whose work is deeply informed by self-organization theories, situationism and irony. He currently uses self-designed looping software, Noundo, to improvise wacky atonal groovy soundscapes influenced by free jazz and and the Canterbury scene. Emmanuel headlined at the Y2K International Live Looping Festival (Santa Cruz, California) in 2014 and curates loop festivals in France since 2013, notably the Loop Jubilee series.


Before being a clarinetist, Nelly was an archeologist. Since ever searching links between past and present, she currently plays with the collective Orkestronika, the circus company Tewhoola, amongst others, and develop her solo project: PREHISTO’ZIK. In this last named, she makes her own instruments, based on actual archeological and ethnological knowledge, and loops those miscellaneous items with a RC505, to create ancestral landscapes.
“In music sets of PREHISTO’ZIK, I try to create an anachronistic mixture: one side is the looper, modern ethnocentric equipment of occidental culture, and the other side the timeless and universal sounds of materials like clay, wood, stone, bone.”

Georgina Brett

Georgina Brett’s music is created using her voice and effects pedals, creating instant choirs of sound, often in an hypnotic style. Georgina’s music adheres to some avant-garde principles, using harmonious parameters, instead of the more dissonant style of it’s post WWII exponents. Georgina’s music is also gradually becoming a great vehicle for more experimental work, delving into expressive work which plays with the rich world of the media, politics, history, using matrices, semiotics and phonetics. Latest release “The Eclipse Collaborations” an album featuring 16 collaborative pieces. Georgina’s work features in the recent movie “The Killings of Tony Blair” by George Galloway.
Peter Kirn (CDM) “London’s Georgina Brett is part of a generation of solo artists who use layered loops to build trascendental, rotating textures from repetition. Hardware loopers and effects pedals remain the preferred tool here for Brett as for many such artists. But Brett’s work is worth a particular mention for its ghostly, ethereal quality and thoughtful, delicate compositions.”

The Eclipse Collaborations12977109_1314374341911055_8492633564119950700_o

Series 2 (Gallery)


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